About this work
Brahms composed this concerto in 1878 for his close friend, the famous violinist Joseph Joachim, who also helped him with technical aspects of the violin part.
It premiered on January 1, 1879, in Leipzig, with Joachim as the soloist and Brahms conducting.
The concerto is often praised for its technical difficulty, depth, and emotional range.
However, upon its premiere, it was considered extremely challenging for the violin, with some even calling it a concerto "against the violin" because of its demanding passages.
Over time, it became one of the most frequently performed violin concertos, regularly played by a significant part of the great violinists.
Joachim himself performed the work many times and praised its genius, despite offering some early criticism of its technical difficulties.
The concerto is frequently chosen by violinists in the final rounds of top international music competitions, and by the best master students for their final graduation examination.
Anecdote
Brahms famously wrote to Joachim about their collaboration on the concerto, thanking him for his input on the solo parts. Joachim was instrumental in refining some of the violin passages to make them more idiomatic.
Despite its early criticism, the concerto is now celebrated for its blending of symphonic depth with virtuosic violin writing, making it both an orchestra and soloist showpiece.
Brahms and Joachim’s Friendship
Another tale linked to this concerto involves Brahms and Joachim’s close friendship.
There’s a story that Brahms jokingly inscribed the score to Joachim with the words: "Here is a concerto for you against the violin."
This remark was in reference to the concerto’s notorious difficulty.
While it's unclear whether Brahms actually wrote this, the sentiment behind it reflects the challenges of the piece and Brahms’ playful relationship with Joachim, whom he trusted to tackle the technical obstacles.
These tales, while humorous, illustrate the concerto's early reception and its evolution into one of the most revered works in the violin repertoire today!
Complete work (3 movements)
€105
This concerto contains the following movements:
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Allegro non troppoInstruments
- flute (Flöte 2),
- oboe (Oboe 1),
- oboe (Oboe 2),
- clarinet (Klarinette in A 1),
- clarinet (Klarinette in A 2),
- bassoon (Fagotte 1),
- bassoon (Fagotte 2),
- horn (Horn in D 1),
- horn (Horn in D 2),
- horn (Horn in E 3),
- horn (Horn in E4),
- trumpet (Trompete in D 1),
- trumpet (Trompete in D 2),
- timpani (Pauken in D, A),
- violin (1. Violine),
- violin (2. Violin),
- cello (Violoncell),
- double bass (Kontrabaß)
-
Adagio
-
Allegro giocoso, ma non troppo vivaceInstruments
- flute (Flöte 2),
- oboe (Oboe 1),
- oboe (Oboe 2),
- clarinet (Klarinette in A 1),
- clarinet (Klarinette in A 2),
- bassoon (Fagotte 1),
- bassoon (Fagotte 2),
- horn (Horn in D 1),
- horn (Horn in E 3),
- trumpet (Trompete in D 1),
- trumpet (Trompete in D 2),
- timpani (Pauken in D, A),
- violin (1. Violine),
- violin (2. Violin),
- cello (Violoncell),
- double bass (Kontrabaß)
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-
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Contact us!Violin Concerto, Op.77
Johannes Brahms
Patron | YOUR NAME HERE |
Score | John Doe |
Orchestration | Jane Doe |
Edition | 2024/06 SC 0005 C 2009-2024 copyright@synchestra.ai |
This copy is for the exclusive use by John Doe, john@doe.abc